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He painted through his teens, his friends and family nurturing his talent through approbation.He loved the work of surrealists like Salvador Dalí and Francis Bacon, but by college preferred the “more fulfilling experience” of sculpting.Working on a completely bald Trump head one recent weekend, Meier carefully applies extra silicone to fill in what looks like a brain surgery scar, but is just a lengthy divot leftover from the molding process.Meier says the seam would probably go completely unnoticed by his client – a well-regarded Hollywood director whom Meier didn’t wish to name – once the hair is applied.He says his carefully engineered masks are much more than a novelty.“This is sculpture; these are fine pieces of art,” he says.

In the beginning stages of his mask-making process, he fires up the ZBrush program, which displays a three-dimensional, gray-colored ball meant to resemble fresh clay.Meier utilizes the cursor to pull, pinch and carve into the ball, making a face emerge from the virtual clay in seconds.He can superimpose photos downloaded from the internet over the graphic he created with the software to guarantee the authenticity of the shape of his subjects’ heads.(He admits the mask from 2016 had a complexion that was too dark, even by human Trump standards.) Meier also made sure Trump had a friend with an equally awful coif to play with in Kim Jong-un, while a sneering Vladimir Putin joined in the fun – though, according to Meier, he “clearly is the adult of the three.”Meier debuted his latest merry band of masks in April at Monsterpalooza – a film, makeup and special effects tradeshow – where a tall model portrayed a gold chain-clad Putin towering over Trump and Kim, each wearing t-shirts depicting atomic bomb explosions.Meier’s intention was to portray the unimposing pair as “spoiled brats” while suggesting Putin oversees the actions of the other two evil, dim-witted leaders.

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